https://www.theleavittlens.com/blog daily 0.75 2026-01-19 https://www.theleavittlens.com/blog/leavittlens-top-10-films-of-2025 monthly 0.5 2026-01-19 https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/fb4d11b8-c003-47d4-a2a7-6b8f583c6e33/Screenshot+2026-01-19+at+7.43.45%E2%80%AFAM.png The Leavitt Lens - LeavittLens’ Top 10 Films of 2025 - Make it stand out While I completely understand the primary critique leveed against this film—namely that is it leans into melodramatic manipulation far too much—it worked effectively for me. Perhaps it was because it was baked into a date night with my wife (which are fewer and farther between with a 7 month old); perhaps it was the subject matter (as a new dad, English major, and writer, this just hit me where it counts); perhaps it was the tremendous performances at the center of it (for all our hand-wringing, we shouldn’t be so cynical about sincere performances when they are this effective at eliciting emotion). In any case, Chloé Zhao has proved she’s got a proper film in her after Nomadland’s semi-documentary style. We go to the movies to feel something, and this one succeeds in spades. Buckley may not win the Oscar, but no one could complain if she does. https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/a575b39b-2fa2-4d43-ada1-f5ca1c21e13c/Screenshot+2026-01-19+at+7.46.11%E2%80%AFAM.png The Leavitt Lens - LeavittLens’ Top 10 Films of 2025 - Make it stand out Speaking of feeling something at the movies: I can count on one hand the number of films that have produced the sort of visceral, adrenaline rush that 28 Days Later produced in me. I remember seeing Mad Max: Fury Road in theatres for the first time and feeling like I had never quite experienced something so primally invigorating—this is the first film I’ve seen since that has approached that feeling. As with Fury Road, however, the thematic interests, visual taste, and central performances elevate 28 Years Later into a potent reflection on mortality and human nature, with a third act that builds a remarkable visual statement on both. The color grading, cinematography, and action set pieces are all remarkable, and there are 2-3 sequences in this film that are among not just the best of the year, but among the best action scenes of the century. https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/f64eaf7d-944d-46de-b25c-c8c95e70d71a/Screenshot+2026-01-19+at+7.48.29%E2%80%AFAM.png The Leavitt Lens - LeavittLens’ Top 10 Films of 2025 - Make it stand out At this point, the conversation around Wes Anderson feels as muted as the expressions on many of his characters’ faces: either he’s your thing, or he’s not. And while the Academy may lean towards the latter, I am without a doubt in the camp of the former. His films seem to be maturing with him, maintaining his trademark humor, style, and thematic interests while adding a more reflective, existential filmic container to house them in. His reflections on parenthood, hubris, death, and what any of it can really mean are all the stuff of both Asteroid City and now The Phoenician Scheme, and I’m here for it. This latest installment may be the funniest of any of his films, and ranks #2 in my Wes rankings behind The Grand Budapest Hotel. What a year for Benicio Del Toro - all the acclaim is well-deserved. Also, finally Wes was able to snag Michael Cera for one of his romps: Cera was built by scientists in a lab to star in a Wes Anderson film. https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/c6e1a392-e0b8-41f2-81f4-70cadfe89655/Screenshot+2026-01-19+at+7.50.38%E2%80%AFAM.png The Leavitt Lens - LeavittLens’ Top 10 Films of 2025 - Make it stand out After Zach Cregger’s surprise horror debut Barbarian, expectations were high for another original story follow up, and far from a second film slump, I think Weapons improved upon the first film. Hinting a blend of contemporary American anxieties (teacher-student relationships, policing, school shootings, COVID etc.), Cregger manages to make a film about all of them and none of them at once. While his intentional thematic obscurity was frustrating at points, he more than made up for it with his structural eccentricities, weaving together humor and horror in equal measure. In many ways, this film is why we go to the movies. To be horrified and confused; to laugh out loud; to involuntarily leap and yell “Oh S***!” and “NOPE!” in a theatre full of people experiencing the same thing; to wonder; to sit in deep grief and sadness; to thematically ponder. Weapons manages to capture more of the visceral and vicarious human experience than many films I’ve seen in recent years, and doing so in such a compelling and coherent way only adds to its success. https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/4dee56c0-534b-4a9b-bdb8-a0bf1def0970/Screenshot+2026-01-19+at+7.52.17%E2%80%AFAM.png The Leavitt Lens - LeavittLens’ Top 10 Films of 2025 - Make it stand out An espionage thriller from one of our great working directors that stars the man born to play James Bond and one of the best working 21st-century actresses centralizing themes of marriage, fidelity, and loyalty in a post-modern, ethically ambiguous world? Cue the Martin Scorsese “absolute cinema” meme. A highlight of the first few months of the year, which are often where studios dump their duds, Black Bag sees the sure-handed Soderbergh (has he ever made a bad film?) elevate his game a bit with a tight, cleverly written, morally compelling, and beautifully shot popcorn movie. With shades of Agatha Christie, Mr. and Mrs. Smith, and all your favorite spy capers, seeing this in a packed theatre was one of the highlights of the movie year. https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/adcb98d2-79fb-4cd3-827c-9ca4d7c7bae7/Screenshot+2026-01-19+at+7.53.39%E2%80%AFAM.png The Leavitt Lens - LeavittLens’ Top 10 Films of 2025 - Make it stand out “Sometimes it feels like the sadness will eat me alive. Sometimes it feels like it happened to someone else.” Beautiful. Painful. Devastating. Poetic. Spiritually evocative. Clint Bentley has done right by the Clint name. Shot entirely in natural light, it shows: akin to films like The Revenant and A Hidden Life in its visual splendor, and with a stirring script to boot. This is far and away the best Joel Edgerton has ever been. Though much of its tragic content is not for the faint of heart, it captures well the beauty and turmoil of life in the early to mid-20th century. https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/319d9141-99b6-4fa4-bdc1-faf647f7adaa/Screenshot+2026-01-19+at+7.54.58%E2%80%AFAM.png The Leavitt Lens - LeavittLens’ Top 10 Films of 2025 - Make it stand out A terrific exploration of the destructiveness of uniformity as a false sense of “freedom and love,” and a holding up of unity in diversity as the power to fight against the evil power of uniformity. The juke scene is among the best I’ve seen in a film this year, and its work as a seamless genre-bending tribute to the blues instantly makes it one of the best music-centric films of the century. The best Michael B. Jordan has ever been, x2. Delroy Lindo is immaculate. A coming out party for Miles Caton. Between Ryan Coogler and Jordan Peele, we have steady hands on the thematically rich thriller/horror genre for decades to come. They’ve got a lifetime subscription from me. https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/dd07a76f-5e7b-48c4-8f69-bfde4820f180/Screenshot+2026-01-19+at+7.56.51%E2%80%AFAM.png The Leavitt Lens - LeavittLens’ Top 10 Films of 2025 - Make it stand out I could have easily flipped Sinners with Marty Supreme, so I consider this more of a 3a and 3b situation. The Safdie brothers have such a singular filmmaking vision and execution, and Josh’s work here takes on the largest scope and thematic richness of any of his films. He knows how to cast a lead who can play ruthless, unrelenting drivenness (Pattison in Good Time, Sandler in Uncut Gems, and Chalamet in Marty Supreme are definitely all from the same family), but the editing, sound and composing, and cinematography choices here reveal a director who has figured out his voice fully and is fraying off some of the jagged edges of his previous films (which, to be clear, were already great). Nevermind that Chalamet seems to have embodied Marty’s outright cockiness in his press tours for this film: it is a frenetic feature of a film that never lags in any of its 140 minute runtime. https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/d5a9760b-add2-46ff-b706-0b2132fa03b7/Screenshot+2026-01-19+at+8.30.39%E2%80%AFAM.png The Leavitt Lens - LeavittLens’ Top 10 Films of 2025 - Make it stand out In reality, when we look back on 2025 in a couple of decades, Paul Thomas Anderson’s One Battle After Another will be the most remembered and celebrated film of the year, and rightfully so. The only reason I have placed it #2 on my list is because Wake Up Dead Man is just so uniquely calibrated for me and my interests. From the standpoint of craft, there isn’t a better combination top to bottom than this film: the performances, the writing, the cinematography, the music, the camera work (that final chase scene is unlike anything I’ve seen in a film before), the humor and social commentary—all of it adds up to not just one of the best movies of the year, but one of the best movies of an already esteemed career. For me, it’s There Will Be Blood in first, and One Battle After Another chasing it up and down hills in second place in the PTA rankings. https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/1768584311843-8W02EKEVJAGIVXS7DOOO/Screenshot+2026-01-16+at+10.24.31%E2%80%AFAM.png The Leavitt Lens - LeavittLens’ Top 10 Films of 2025 - Make it stand out If there was a movie made in a lab specifically for me and my interests, it would be Wake Up Dead Man. See my full analysis here. https://www.theleavittlens.com/blog/wake-up-dead-man-an-analysis monthly 0.5 2026-01-16 https://www.theleavittlens.com/blog/top-10-books-of-2025 monthly 0.5 2026-01-03 https://www.theleavittlens.com/blog/the-top-15 monthly 0.5 2025-12-05 https://www.theleavittlens.com/blog/16-birdman-or-the-unexpected-virtue-of-ignorance monthly 0.5 2025-08-31 https://www.theleavittlens.com/blog/17-oppenheimer monthly 0.5 2025-08-25 https://www.theleavittlens.com/blog/18-arrival monthly 0.5 2025-08-18 https://www.theleavittlens.com/blog/19-before-midnight monthly 0.5 2025-08-09 https://www.theleavittlens.com/blog/19-whiplash monthly 0.5 2025-08-03 https://www.theleavittlens.com/blog/20-soul monthly 0.5 2025-07-28 https://www.theleavittlens.com/blog/21-oceans-eleven monthly 0.5 2025-07-26 https://www.theleavittlens.com/blog/24-the-lord-of-the-rings-the-fellowship-of-the-ring monthly 0.5 2025-07-20 https://www.theleavittlens.com/blog/o22owjfhnmaijd2x31g3314pvzcs8w monthly 0.5 2025-07-12 https://www.theleavittlens.com/blog/25-anchorman-the-legend-of-ron-burgundy monthly 0.5 2025-07-05 https://www.theleavittlens.com/blog/25-from-25-leavittlens-top-25-films-of-the-21st-century monthly 0.5 2025-06-28 https://www.theleavittlens.com/blog/2024/12/31/leavittlens-top-10-films-of-2024 monthly 0.5 2025-04-25 https://images.squarespace-cdn.com/content/v1/67b40f5519e72353318d804f/1745620080378-6YFLCP4LLDNT8BISN10P/screenshot-2024-11-05-at-11.37.16e280afam.png The Leavitt Lens - 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